Cineforum n.6


Cineforum is the cinema magazine of the Italian Cineforum Federation. A magazine that comes from far away and that represents the purest and most traditional form of film criticism magazine. In fact, it contains presentations, reviews, controversies and discussions on dozens of more or less recent films, analysis of film trends and authorial trends in this sector.
It is a magazine for real cinephiles, founded in 1961. Until 2020 it comes out monthly, up to the radical number 0 of 2021, the year from which it becomes a quarterly that changes its graphic and editorial aspect and decides to leave more mainstream circuits to become a niche paper reference for true enthusiasts. 

The Italian Cineforum Federation represents most of the Italian film clubs and in particular collaborates with medium-small and local realities in order to make known the masterpieces of great authors, but also to give visibility and release film projects that otherwise would have little visibility. From the vision of the films it then organizes cineforums, conferences and debates that create and bring to life the culture of cinema in Italy. 
The Director of the new series of Cineforum magazine is Emanuela Martini, born in Forlì and film critic, until 2019 Director of the Torino Film Festival. 


Dal producer’s cut al director’s cut 
Leonardo Gandini /Pavlov's dog and the happy ending. How the majors (not only in Hollywood) have imposed times and morals on films 
Pier Maria Bocchi /Mom, I did the film again. How to putty the images and live (perhaps) happy 
Roberto Chiesi, Massimo Lastrucci, Alberto Libera, Anton Giulio Mancino, Emanuela Martini, Federico Pedroni, Lorenzo Rossi, Alessandro Uccelli, Paolo Vecchi /The magnificent 10. The most famous massacres in the history of cinema: masterpieces destroyed, halved, reduced to sketches 
Massimo Causo /Bonifacio Angius. The material, the flesh, the ethics of a modern classic 
edited by Massimo Causo /The night of the Giants. Interview with Bonifacio Angius 
Chiara Borroni, Roberto Manassero, Lorenzo Rossi /Ukraine, the war live. The ambiguity of the representation 
Jane by Charlotte by Charlotte Gainsbourg
Adriano Piccardi /Mommy Nostalgie. Mother and daughter find themselves in front of the camera 
Finale a sorpresa – Official Competition by Mariano Cohn and Gaston Duprat 
Alberto Crespi/ANDgo contro. Cruz, Banderas, Martinez unleashed in the sour comedy about art, cinema, rivalry
Nostalgia by Mario Martone 
Federico Pedroni / The habit of returning. Pierfrancesco Favino's journey in the footsteps of Ermanno Rea
Elvis the Baz Luhrmann 
Pietro Bianchi /The contradictions of The King. The myth is back, between good boy and bad guy
Doctor Strange in the multiverse of madness by Sam Raimi 
Anton Giulio Mancino /The great and mighty Strange. Being an author in the Marvel Universe
Alcarràs di Carla Simon 
Ilaria Feole /The trees of life. Authentic and poetic, the winner of the Berlinale 2022

Pier Maria Bocchi / The inconvenience of images. Dario Argento, Michael Bay, Roland Emmerich, Adrian Lyne and the indifferent spectators 
Roberto Chiesi /The smile of the Murnau vampireNosferatu a symphony of horror, a hundred years later
Emanuela Martini /Principles of darkness. Journey in installments among the vampires of the screen 
Beautiful and damned
Gianni Amelio /1941 Attack on Hollywood. This mad mad mad mad war
Revised and politically correct
Gualtiero De Marinis /On a mission for God! Back in time to clean up