{"title":"All Products","description":"","products":[{"product_id":"alhaus-n-5","title":"Alhaus n. 5","description":"\u003cp\u003eALHAUS is an Anglo-Irish content and digital media agency, split between Dublin and London. Innovation and creativity are the daily work that the collaborators of this agency seek every day, at the service of major world brands. Their print magazine is defined as an inspirational magazine. It serves to gather new stimuli in various sectors for those who need creativity and to create content. \u003c\/p\u003e\n\u003cp\u003eALHAUS is the place where curating meets content, a biannual magazine that ranges from design, culture, lifestyle, travel and art, which gives priority to thoughtful texts and images that you would look at for hours, giving lively moments of inspiration.\u003cbr\u003eEach beautifully edited volume is a blend of insight and luxury that satisfies the desire to have a magazine full of style and content in your hands. 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Put a night in a motel, with Malcolm, Cassius, Jim and Sam\u003cbr\u003eRoberto Manassero \/ Negroland. Ten years of black American literature\u003c\/p\u003e\n\u003cp\u003e2020: the year of closed rooms\u003cbr\u003eAdriano Piccardi \/ Screens of my desires. A really complicated season\u003cbr\u003eFederico Gironi \/ Then comes the pandemic that takes away all the cinema… The word to the experts\u003c\/p\u003e\n\u003cp\u003eMank by David Fincher\u003cbr\u003eEmanuela Martini \/ Americani Geniuses or recklessness? Three mavericks for the birth of the Fourth Estate\u003cbr\u003eMassimo Lastrucci \/ The curse of the elder brother. Biography of Herman Mankiewicz\u003cbr\u003eEssential filmography\u003c\/p\u003e\n\u003cp\u003eITALIAN LANDSCAPES\u003cbr\u003eTullio Masoni and Paolo Vecchi \/ North-East passage. A world between stillness and development\u003cbr\u003eThe places Map with indications of the places of the films\u003cbr\u003eChiara Borroni \/ The right distance. Interview with Marco Pettenello\u003cbr\u003eLuca Malavasi \/ To be and not to be. In Chioggia, the TV series by the author of Call me by your name\u003c\/p\u003e\n\u003cp\u003eCOUNTERFIELD\u003cbr\u003eEmanuela Martini \/ The man who loved women. Woody Allen feminist\u003c\/p\u003e\n\u003cp\u003eSTARDUST MEMORIES\u003cbr\u003eFabrizio Tassi \/ A noir without “black”. À bout de souffle: a man, a woman, a cinematographic revolution\u003cbr\u003ePaolo Mereghetti \/ I am, therefore I film. JLG's (gorgeous) cinepensiero\u003cbr\u003eAlessandro Uccelli \/ Histoire (s) de Godard\u003c\/p\u003e\n\u003cp\u003eTHE YEARS OF THE PHOENIX\u003cbr\u003eFederico Pedroni \/ Children are watching us. Henry James' ghost story from Suspense to The Haunting of Bly Manor                  \u003c\/p\u003e\n\u003cp\u003eNOTEBOOK\u003cbr\u003eBeautiful and damned by Gianni Amelio \/ Ryan's daughter. 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A magazine that comes from far away and that represents the purest and most traditional form of film criticism magazine. In fact, it contains presentations, reviews, controversies and discussions on dozens of more or less recent films, analysis of film trends and authorial trends in this sector.\u003cbr data-mce-fragment=\"1\"\u003eIt is a magazine for real cinephiles, founded in 1961. 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From the vision of the films, it then organizes cineforums, conferences and debates that create and bring to life the culture of cinema in Italy. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Director of the new series of Cineforum magazine is Emanuela Martini, born in Forlì and film critic, until 2019 Director of the Torino Film Festival. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eISSUE 5\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eEDITORIAL\u003c\/strong\u003e\u003cbr\u003eEmanuela Martini \/ It will be a laugh ...\u003cbr\u003e\u003cstrong\u003eFIRST FLOOR\u003c\/strong\u003e\u003cbr\u003eRoberto Escobar \/ The infinite and the finite. One hundred years after his birth, the poetics of Pier Paolo Pasolini\u003cbr\u003eAlessandro Uccelli \/ Notes for a Pasolini filmography\u003cbr\u003e\u003cstrong\u003eBIG SCREEN\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eLicorice Pizza\u003c\/em\u003e\u003cspan\u003e by Paul Thomas Anderson\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eFederico Pedroni The sweet wing of youth. A decalogue on Licorice Pizza \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe fair of illusions - Nightmare Alley by Guillermo del Toro \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlberto Libera \/ In the labyrinth of reality. The new version of Gresham's noir  \u003cbr\u003e\u003c\/span\u003e\u003cem\u003eFarewell Leonora\u003c\/em\u003e  by Paolo Taviani\u003cbr\u003eAnton Giulio Mancino \/ Pirandello's obsession, third act\u003cbr\u003e\u003cem\u003ehug me tight\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Mathieu Amalric\u003cbr\u003eChiara Borroni \/ An unstable matter. The Ghosts of Amalric  \u003cbr\u003e\u003cem\u003eWhat Do We See When We Look at the Sky?\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eby Alexandre Koberidze\u003cbr\u003eAdriano Piccardi \/ Boy Meets Girl. The best film of the Berlinale 2021 \u003cbr\u003e\u003cstrong\u003eAGAINST FIELD \u003c\/strong\u003e\u003cbr\u003eRoberto Manassero \/ Where the images come from\u003cbr\u003eRoberto Manassero \/ About France \u003cbr\u003eMassimo Causo \/ The bewildered spectator \u003cbr\u003eGiulio Sangiorgio \/ The aesthetic attempt \u003cbr\u003e\u003cstrong\u003eSTARDUST MEMORIES\u003c\/strong\u003e\u003cbr\u003eEmanuela Martini \/ Shall We Gather at the River? Ì Between the West and nowhere: The last show\u003cbr\u003ePaola Cristalli \/ What’s up, Peter? The (sexy) comedies of a mid-century author\u003cbr\u003eMassimo Lastrucci \/ The man who loved cinema, zigzagging between genres\u003cbr\u003eRoberto Manassero \/ Wild Roads: Larry McMurtry's southwestern novels\u003cbr\u003e\u003cstrong\u003eTHE YEARS OF THE PHOENIX\u003c\/strong\u003e\u003cbr\u003eArturo Invernici \/ Variations on the mustache by Hercule Poirot. The Belgian detective between page and screen  \u003cbr\u003e\u003cstrong\u003eNOTEBOOK\u003c\/strong\u003e\u003cbr\u003eBeautiful and damned. Gianni Amelio \/ One from the Heart. A dream in a studio\u003cbr\u003eRevised and politically correct. Gualtiero De Marinis \/ you, belin, motherfucker! Or Belin, fuck you! There are no more villains than they used to be  \u003cbr\u003e\u003cstrong\u003eFESTIVAL \u003c\/strong\u003e\u003cem\u003e72° Berlinale\u003c\/em\u003e\u003cbr\u003eAlessandro Uccelli \/ Europe, above all\u003cbr\u003eDavide Oberto \/ Immerse yourself in the room\u003c\/p\u003e","brand":"Frab's Magazines \u0026 More","offers":[{"title":"Default Title","offer_id":42635328979203,"sku":"900-5","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/cineforum-rivista-numero-5.jpg?v=1648635533"},{"product_id":"nuda-ego","title":"Naked Ego","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eNuda is an independent publication from Stockholm.\u003cbr data-mce-fragment=\"1\"\u003eEach issue explores a different theme through visual culture and science, with a provocative and aesthetically stimulating approach, a mix of ideas and expressions.\u003cbr data-mce-fragment=\"1\"\u003eFor each issue, Nuda interviews artists, philosophers, designers, superstars, scientists, eccentric people, family members and foreigners. Each edition is, in essence, like a Sunday lunch with an eclectic guest list. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDimensions:\u003cbr data-mce-fragment=\"1\"\u003eNumber of pages: 224\u003cbr data-mce-fragment=\"1\"\u003eCover: hard canvas with dust jacket\u003cbr data-mce-fragment=\"1\"\u003eEnglish language \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eISSUE EGO\u003c\/strong\u003e\u003cbr\u003eThis issue of Nuda, with the evocative title \"Ego\", is an exploration of our psyche and our mind. 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Among its pages it examines the theories, techniques and practices involved in the teaching process of architecture. \u003c\/span\u003e\u003cspan\u003eSTOÀ focuses on architectural design, its teaching, its methods and its objectives, gathering some of the most relevant experiences that combine academic research and educational practices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eISSUE 3 - IL RENDERING\u003c\/strong\u003e\u003cbr\u003eThe second issue of STOÀ is dedicated to rendering. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eRendering\u003c\/i\u003e: in computer graphics, the conversion by means of special software of the profile of a two-dimensional image into an image with a realistic and perceivable three-dimensional aspect, thanks to the accurate calculation of the perspective and the addition of colors, lights and shadows.\u003cbr\u003eAn examination of the effects of the use of renderings in the didactic and pedagogical fields for the architectural project has not been systematically conducted, since the temporal distance - from when they have become everyday work elements - is, perhaps, excessively narrow. Although the critical scope of the use of this tool has not yet been metabolized, the construction of images using digital graphics has been too quickly relegated (certainly in the European educational culture) among the causes of a certain degeneration of know-how (therefore of knowing design) architecture. 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A magazine that comes from far away and that represents the purest and most traditional form of film criticism magazine. In fact, it contains presentations, reviews, controversies and discussions on dozens of more or less recent films, analysis of film trends and authorial trends in this sector.\u003cbr data-mce-fragment=\"1\"\u003eIt is a magazine for real cinephiles, founded in 1961. Until 2020 it comes out monthly, up to the radical number 0 of 2021, the year from which it becomes a quarterly that changes its graphic and editorial aspect and decides to leave more mainstream circuits to become a niche paper reference for true enthusiasts. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Italian Cineforum Federation represents most of the Italian film clubs and in particular collaborates with medium-small and local realities in order to make known the masterpieces of great authors, but also to give visibility and release film projects that otherwise would have little visibility. 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The ambiguity of the representation \u003cbr\u003e\u003cem\u003eJane by Charlotte \u003c\/em\u003eby Charlotte Gainsbourg\u003cbr\u003eAdriano Piccardi \/\u003cem\u003eMommy Nostalgie\u003c\/em\u003e. Mother and daughter find themselves in front of the camera \u003cbr\u003e\u003cstrong\u003eFOCUS \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFinale a sorpresa – Official Competition\u003c\/em\u003e by Mariano Cohn and Gaston Duprat \u003cbr\u003eAlberto Crespi\/\u003cem\u003eAND\u003c\/em\u003e\u003cem\u003ego contro\u003c\/em\u003e. Cruz, Banderas, Martinez unleashed in the sour comedy about art, cinema, rivalry\u003cbr\u003e\u003cstrong\u003eBIG SCREEN\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eNostalgia\u003c\/em\u003e by Mario Martone \u003cbr\u003eFederico Pedroni \/ The habit of returning. Pierfrancesco Favino's journey in the footsteps of Ermanno Rea\u003cbr\u003e\u003cem\u003eElvis\u003c\/em\u003e the Baz Luhrmann \u003cbr\u003ePietro Bianchi \/\u003cem\u003eThe contradictions of The King\u003c\/em\u003e. The myth is back, between good boy and bad guy\u003cbr\u003e\u003cem\u003eDoctor Strange in the multiverse of madness\u003c\/em\u003e by Sam Raimi \u003cbr\u003eAnton Giulio Mancino \/\u003cem\u003eThe great and mighty Strange\u003c\/em\u003e. Being an author in the Marvel Universe\u003cbr\u003e\u003cem\u003eAlcarràs\u003c\/em\u003e di Carla Simon \u003cbr\u003eIlaria Feole \/\u003cem\u003eThe trees of life\u003c\/em\u003e. Authentic and poetic, the winner of the Berlinale 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCOUNTERFIELD\u003cbr\u003e\u003c\/strong\u003ePier Maria Bocchi \/ The inconvenience of images. Dario Argento, Michael Bay, Roland Emmerich, Adrian Lyne and the indifferent spectators \u003cbr\u003eRoberto Chiesi \/\u003cem\u003eThe smile of the Murnau vampire\u003c\/em\u003e. \u003cem\u003eNosferatu a symphony of horror\u003c\/em\u003e, a hundred years later\u003cbr\u003eEmanuela Martini \/\u003cem\u003ePrinciples of darkness\u003c\/em\u003e. Journey in installments among the vampires of the screen \u003cbr\u003e\u003cstrong\u003eNOTEBOOK\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eBeautiful and damned\u003c\/em\u003e\u003cbr\u003eGianni Amelio \/\u003cem\u003e1941 Attack on Hollywood\u003c\/em\u003e. This mad mad mad mad war\u003cbr\u003e\u003cem\u003eRevised and politically correct\u003c\/em\u003e\u003cbr\u003eGualtiero De Marinis \/\u003cem\u003eOn a mission for God!\u003c\/em\u003e Back in time to clean up \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Frab's Magazines \u0026 More","offers":[{"title":"Default Title","offer_id":42976650199299,"sku":"900-6","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/cineforum_rivista.jpg?v=1656350782"},{"product_id":"panteon-n-4","title":"Pantheon n.4-5","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePanteon (without H) is a new Italian architecture magazine, published twice a year.\u003cbr data-mce-fragment=\"1\"\u003eThe founders say it is an anachronistic enterprise: anachronistic is the content, anachronistic is the product, anachronistic is its use. And actually, looking at it carefully, it has something out of time, it will be for the type of paper chosen, it will be for the large format, it will be for the skilful use of black and white able to give even more charm to the photos that stand out in the large blank pages. Maybe just because of the color of the cover, but yes, Panteon is the anachronistic editorial project we were missing.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe protagonist is the architecture of the city of Rome, all built between 1911 and 1989 within the GRA, our contemporary city walls, whose analogies are arbitrary and questionable.\u003cbr data-mce-fragment=\"1\"\u003ePanteon aims to be a platform for architectural debate using the city of Rome as a pretext, as an infinite warehouse from which to draw answers to a potentially infinite number of questions.\u003cbr data-mce-fragment=\"1\"\u003eEach issue is made up of a set of texts, collected through an open Call for Papers.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDimensions: 29.7X42 cm\u003cbr data-mce-fragment=\"1\"\u003eLanguage: Italian and English\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eISSUE 4\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci data-mce-fragment=\"1\"\u003eFaculty of Architecture of Valle Giulia\u003cbr data-mce-fragment=\"1\"\u003e- editorial by Gabriele Mastrigli\u003cbr data-mce-fragment=\"1\"\u003eSchool of Mathematics\u003cbr data-mce-fragment=\"1\"\u003e- by Paolo Lasagni\u003cbr data-mce-fragment=\"1\"\u003eNational Research Center of Rome\u003cbr data-mce-fragment=\"1\"\u003e- by Simone Lucchetti and Rossana Ravesi\u003cbr data-mce-fragment=\"1\"\u003eExperimental Center of Cinematography\u003cbr data-mce-fragment=\"1\"\u003e- by Amanda Luna Ballerini\u003cbr data-mce-fragment=\"1\"\u003eAcademies\u003cbr data-mce-fragment=\"1\"\u003eGerman Academy Rome Villa Massimo\u003cbr data-mce-fragment=\"1\"\u003e- editorial by Heike Hanada\u003cbr data-mce-fragment=\"1\"\u003eAmerican Academy in Rome\u003cbr data-mce-fragment=\"1\"\u003e- by Rosa Sessa\u003cbr data-mce-fragment=\"1\"\u003eAcademy of Spain in Rome\u003cbr data-mce-fragment=\"1\"\u003e-\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eby Federica Andreoni\u003cbr data-mce-fragment=\"1\"\u003eThe Danish Institute in Rome\u003cbr data-mce-fragment=\"1\"\u003e-\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eby Riccardo Petrella\u003c\/i\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Frab's Magazines \u0026 More","offers":[{"title":"Default Title","offer_id":42986974380291,"sku":"910-4","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/Magazine_issue4-5knowledge.png?v=1656616786"},{"product_id":"wrap","title":"Added to the product","description":"\u003cp\u003eAdd a personalized gift pack from us with care\u003c\/p\u003e","brand":"Gift","offers":[{"title":"Personalized gift box","offer_id":43094172434691,"sku":"","price":3.0,"currency_code":"EUR","in_stock":true},{"title":"Tote Bag Frab's cotton 120 gr","offer_id":43094192718083,"sku":"","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/1659471530409_828c0d6a-0d91-4868-bd59-01e3715938d5.png?v=1661163743"},{"product_id":"the-great-discontent-n-5","title":"The Great Discontent n.5","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003eThe Great Discontent (TGD) è un magazine indipendente e una media company dedicata alle storie non raccontare di artisti e amanti del rischio. O\u003c\/span\u003e\u003cspan class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"it\" data-language-to-translate-into=\"en\" data-phrase-index=\"1\" data-number-of-phrases=\"7\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;usxOmf:aWLT7;jhKsnd:P7O7bd,F8DmGf;Q4AGo:Gm7gYd,qAKMYb;uFUCPb:pvnm0e,pfE8Hb,PFBcW;f56efd:dJXsye;EnoYf:KNzws,ZJsZZ,JgVSJc;zdMJQc:cCQNKb,ZJsZZ,zchEXc;Ytrrj:JJDvdc;tNR8yc:GeFvjb;oFN6Ye:hij5Wb;bmeZHc:iURhpf;Oxj3Xe:qAKMYb,yaf12d\" jsname=\"txFAF\" jscontroller=\"Zl5N8\" jsdata=\"uqLsIf;_;$193\" jsmodel=\"SsMkhd\"\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003effre uno sguardo sulla vita dei creativi attraverso interviste long form, ma anche cortometraggi, film, podcast ed eventi.\u003cbr\u003eNato come magazine online nel\u003cspan data-mce-fragment=\"1\"\u003e 2011, dal 2014 si è trasformato in una doubblicazione cartacea grazie a una comunità di lettori fedeli ed entusiasti che ha sostenuto una campagna Kickstarter. Nonostante il grande successo ottenuto dal magazine, la visione originale resta fondamentale: costruire un archivio di contenuti senza tempo che fornisca uno sguardo indimenticabile sulla vita di coloro che creano e aprire ai lettori nuove possibilità.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"it\" data-language-to-translate-into=\"en\" data-phrase-index=\"1\" data-number-of-phrases=\"7\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;usxOmf:aWLT7;jhKsnd:P7O7bd,F8DmGf;Q4AGo:Gm7gYd,qAKMYb;uFUCPb:pvnm0e,pfE8Hb,PFBcW;f56efd:dJXsye;EnoYf:KNzws,ZJsZZ,JgVSJc;zdMJQc:cCQNKb,ZJsZZ,zchEXc;Ytrrj:JJDvdc;tNR8yc:GeFvjb;oFN6Ye:hij5Wb;bmeZHc:iURhpf;Oxj3Xe:qAKMYb,yaf12d\" jsname=\"txFAF\" jscontroller=\"Zl5N8\" jsdata=\"uqLsIf;_;$193\" jsmodel=\"SsMkhd\"\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eISSUE 5 - EMERGENCE ISSUE\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003eIl quinto numero di The Great Discontent presenta un gruppo dinamico di creativi impegnati ad affrontare le sfide sistematiche nelle loro comunità attraverso la creatività. Partendo dal presupposto per cui l'incertezza arriverà per tutti, i creativi  intervistati in questo numero ci insegnano l‘importanza delle scelte che facciamo per emergere, creare e vivere.\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"it\" data-language-to-translate-into=\"en\" data-phrase-index=\"1\" data-number-of-phrases=\"7\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;usxOmf:aWLT7;jhKsnd:P7O7bd,F8DmGf;Q4AGo:Gm7gYd,qAKMYb;uFUCPb:pvnm0e,pfE8Hb,PFBcW;f56efd:dJXsye;EnoYf:KNzws,ZJsZZ,JgVSJc;zdMJQc:cCQNKb,ZJsZZ,zchEXc;Ytrrj:JJDvdc;tNR8yc:GeFvjb;oFN6Ye:hij5Wb;bmeZHc:iURhpf;Oxj3Xe:qAKMYb,yaf12d\" jsname=\"txFAF\" jscontroller=\"Zl5N8\" jsdata=\"uqLsIf;_;$193\" jsmodel=\"SsMkhd\"\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"JLqJ4b\" data-language-for-alternatives=\"it\" data-language-to-translate-into=\"en\" data-phrase-index=\"5\" data-number-of-phrases=\"8\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;usxOmf:aWLT7;jhKsnd:P7O7bd,F8DmGf;Q4AGo:Gm7gYd,qAKMYb;uFUCPb:pvnm0e,pfE8Hb,PFBcW;f56efd:dJXsye;EnoYf:KNzws,ZJsZZ,JgVSJc;zdMJQc:cCQNKb,ZJsZZ,zchEXc;Ytrrj:JJDvdc;tNR8yc:GeFvjb;oFN6Ye:hij5Wb;bmeZHc:iURhpf;Oxj3Xe:qAKMYb,yaf12d\" jsname=\"txFAF\" jscontroller=\"Zl5N8\" jsdata=\"uqLsIf;_;$271\" jsmodel=\"SsMkhd\"\u003eIn questo numero: Kamilah Rashied \/ Monica Ahanonu \/ PJ Vegas \/ Sofía Gallisá Muriente \/ Giorgia Lupi \/ Demar Matthews \/ Micheal Two Bulls \/ Jordan Wong \/ Lucy McRae \/ Tony Whlgn® \/ Carly Ayres \/ Rick Garzon \/ Zykera Tucker \/ Meena Khalili e Sheharazad Fleming\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"it\" data-language-to-translate-into=\"en\" data-phrase-index=\"1\" data-number-of-phrases=\"7\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;usxOmf:aWLT7;jhKsnd:P7O7bd,F8DmGf;Q4AGo:Gm7gYd,qAKMYb;uFUCPb:pvnm0e,pfE8Hb,PFBcW;f56efd:dJXsye;EnoYf:KNzws,ZJsZZ,JgVSJc;zdMJQc:cCQNKb,ZJsZZ,zchEXc;Ytrrj:JJDvdc;tNR8yc:GeFvjb;oFN6Ye:hij5Wb;bmeZHc:iURhpf;Oxj3Xe:qAKMYb,yaf12d\" jsname=\"txFAF\" jscontroller=\"Zl5N8\" jsdata=\"uqLsIf;_;$193\" jsmodel=\"SsMkhd\"\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"JLqJ4b\" data-language-for-alternatives=\"it\" data-language-to-translate-into=\"en\" data-phrase-index=\"5\" data-number-of-phrases=\"8\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;usxOmf:aWLT7;jhKsnd:P7O7bd,F8DmGf;Q4AGo:Gm7gYd,qAKMYb;uFUCPb:pvnm0e,pfE8Hb,PFBcW;f56efd:dJXsye;EnoYf:KNzws,ZJsZZ,JgVSJc;zdMJQc:cCQNKb,ZJsZZ,zchEXc;Ytrrj:JJDvdc;tNR8yc:GeFvjb;oFN6Ye:hij5Wb;bmeZHc:iURhpf;Oxj3Xe:qAKMYb,yaf12d\" jsname=\"txFAF\" jscontroller=\"Zl5N8\" jsdata=\"uqLsIf;_;$271\" jsmodel=\"SsMkhd\"\u003eDimensioni: 16,5 X 23,5 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":43167717818627,"sku":"9999.970","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/TGD-05-Cover-Kamila-Rashied_1600x_972x_98aafe3a-3e40-4e9c-b420-3d7e33010971.jpg?v=1660666252"},{"product_id":"notebook-n-1","title":"Notebook n.1","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNotebook è una nuova rivista dedicata al cinema curata e pubblicata da MUBI, un'estensione editorialmente indipendente della missione portata avanti dalla piattaforma di streaming di sostenere la settima arte. Con un approccio all'avanguardia, rinomati scrittori internazionali e collaborando con registi e artisti, la rivista è una vetrina sperimentale e riflessiva sulla cultura cinematografica. Notebook racchiude e incarna audacemente l'enorme vitalità, rilevanza e bellezza del cinema. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eISSUE 1\u003c\/strong\u003e\u003cbr\u003eIl numero 1 di Notebook presenta contributi originali di artisti, scrittori, registi e studiosi su una gamma unica ed eclettica di argomenti cinematografici, comprese sezioni dedicate a nuove aperture in tutto il mondo (teatri, gallerie e sedi espositive). I film comprendono, tra gli altri, una conversazione approfondita tra il regista premio Oscar Ryusuke Hamaguchi (Drive My Car) e l'artista Yoshitomo Nara; un coro di riflessioni personali e storie condivise da registi afgani in esilio; uno sguardo ravvicinato alla straordinaria collezione del Centre Pompidou di Parigi; una storia del fenomeno dei podcast cinematografici; lattine di pellicola da 16 mm decorate a mano; e contributi unici di carta bianca di Christopher Doyle e Jessica Beshir.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimensioni: 21X27,4 cm\u003cbr\u003eNumero di pagine: 128\u003cbr\u003eLingua: inglese\u003c\/span\u003e\u003c\/p\u003e","brand":"Frab's Magazines \u0026 More","offers":[{"title":"Default Title","offer_id":43172263723267,"sku":"9999.971","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/827E19B4-5AF0-43E8-9799-04CE2B5E8288.jpg?v=1660748315"},{"product_id":"gatekeeper-n-3","title":"Gatekeeper n.3","description":"\u003cp\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003eGatekeeper è una nuova rivista indipendente di arte e cultura che nasce dalla consapevolezza per cui le carriere degli artisti non debbano essere controllate e dettate da un potere superiore (*hint* il nome è ironico).\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"it\" data-language-to-translate-into=\"en\" data-phrase-index=\"1\" data-number-of-phrases=\"2\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;usxOmf:aWLT7;jhKsnd:P7O7bd,F8DmGf;Q4AGo:Gm7gYd,qAKMYb;uFUCPb:pvnm0e,pfE8Hb,PFBcW;f56efd:dJXsye;EnoYf:KNzws,ZJsZZ,JgVSJc;zdMJQc:cCQNKb,ZJsZZ,zchEXc;Ytrrj:JJDvdc;tNR8yc:GeFvjb;oFN6Ye:hij5Wb;bmeZHc:iURhpf;Oxj3Xe:qAKMYb,yaf12d\" jsname=\"txFAF\" jscontroller=\"Zl5N8\" jsdata=\"uqLsIf;_;$212\" jsmodel=\"SsMkhd\"\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003eInvece di raccogliere e scegliere le opere d'arte soggettivamente, tra le pagine del magazine viene ricercata una miscela eclettica di arte, scrittura e iniziative che affrontano l'enorme tema del mercato dell'arte.\u003cbr\u003eIl magazine è stato fondato nel 2020 dall’artista Lucy Arves.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003e\u003cstrong\u003eISSUE 3 - CULTURE | CASH | CAPITAL\u003c\/strong\u003e\u003cbr\u003eIl terzo numero di Gatekeeper magazine affronta 7 diversi tipi di capitale culturale: o\u003c\/span\u003e\u003cspan class=\"JLqJ4b ChMk0b\" data-language-for-alternatives=\"it\" data-language-to-translate-into=\"en\" data-phrase-index=\"1\" data-number-of-phrases=\"3\" data-mce-fragment=\"1\" jsaction=\"agoMJf:PFBcW;usxOmf:aWLT7;jhKsnd:P7O7bd,F8DmGf;Q4AGo:Gm7gYd,qAKMYb;uFUCPb:pvnm0e,pfE8Hb,PFBcW;f56efd:dJXsye;EnoYf:KNzws,ZJsZZ,JgVSJc;zdMJQc:cCQNKb,ZJsZZ,zchEXc;Ytrrj:JJDvdc;tNR8yc:GeFvjb;oFN6Ye:hij5Wb;bmeZHc:iURhpf;Oxj3Xe:qAKMYb,yaf12d\" jsname=\"txFAF\" jscontroller=\"Zl5N8\" jsdata=\"uqLsIf;_;$149\" jsmodel=\"SsMkhd\"\u003e\u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003ebiettivo, incarnato, istituzionalizzato, tecnico, emotivo, nazionale, subculturale.\u003c\/span\u003e \u003cspan class=\"Q4iAWc\" data-mce-fragment=\"1\" jsaction=\"click:qtZ4nf,GFf3ac,tMZCfe; contextmenu:Nqw7Te,QP7LD; mouseout:Nqw7Te; mouseover:qtZ4nf,c2aHje\" jsname=\"W297wb\"\u003eAttraverso ciascuno di questi capitoli analizziamo e riconosciamo diversi elementi del mercato dell'arte e del mondo.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Raandolly","offers":[{"title":"Default Title","offer_id":43177443000579,"sku":"9999.973","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/2B9D3A02-7B10-431F-B96D-C693182E1CD8.png?v=1660833516"},{"product_id":"orange-crush-n-3","title":"Orange Crush n.3","description":"\u003cp\u003eOrange Crush è la rivista indipendente che non ti aspetti, perché difficilmente ci si immagina un magazine che accosti al mondo dell'arte il wrestling.\u003cbr data-mce-fragment=\"1\"\u003eIncentrata sulla curiosa intersezione tra arte visiva e wrestling professionale, utilizza gli aspetti visivi spesso stravaganti di quest'ultimo per tirare fuori idee interessanti su creatività, rappresentazione, sessualità, genere e altro ancora.\u003cbr data-mce-fragment=\"1\"\u003eSarà per il successo travolgente della brillante serie TV Glow, e ai suoi successivi seguiti televisivi che raccontano le storie \"vere\" delle affascinanti donne del wrestling, questo sport è decollato in modo surreale negli ultimi anni ed è nata addirittura l'IWF (Isolation Wrestling Federation), una versione \"contactless\" dello sport che è passata da un account Instagram dedicato a una celebrazione del travestimento\/creazione del personaggio che le persone inventano a casa, ispirandosi agli iconici video promozionali degli anni Ottanta e Novanta.\u003cbr data-mce-fragment=\"1\"\u003eTutto questo ci riporta piacevolmente a Orange Crush, che, ancora una volta, si concentra tanto sul lato visivo e spettacolare del wrestling quanto sul lato violento. \u003cbr\u003eLa rivista è una creazione della coppia Adam Abdalla (editore e caporedattore di Orange Crush) e Susan Globus (designer).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDimensioni: 24x33 cm\u003cbr\u003eNumero di pagine: 100\u003cbr\u003eLingua: inglese\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISSUE 3\u003c\/strong\u003e\u003cbr\u003eTra le altre cose, in questo numero: \u003cbr\u003e- Prima di essere uno degli artisti contemporanei più importanti del mondo, MATTHEW BARNEY era un wrestler. \u003cbr data-mce-fragment=\"1\"\u003e- ANDREAS HALE osserva l'abilità artistica, dentro e fuori dal ring, dell'incomparabile LEE MORIARTY\u003cbr data-mce-fragment=\"1\"\u003e- LIO RUSH si apre in un'intervista esclusiva sulla sua pratica artistica di musicista\u003cbr data-mce-fragment=\"1\"\u003e- Il famoso autore BRIN-JONATHAN BUTLER descrive il più grande fotografo professionista di wrestling GEORGE NAPOLITANO, accompagnato da un portfolio di alcuni dei suoi lavori più memorabili\u003cbr data-mce-fragment=\"1\"\u003e- Guardiamo indietro al documentario dell'artista JEREMY DELLER su \"EXOTIC\" Adrian Street, mentre l'editore di Orange Crush HUNTER BRAITHWAITE recensisce TANTI MODI PER FERIRTI\u003cbr data-mce-fragment=\"1\"\u003e- Seguiamo due dei migliori giovani talenti mentre escono di casa per lasciare il segno nella nostra nuova sezione EXCURSION\u003cbr data-mce-fragment=\"1\"\u003e- ERIC SHOREY esplora la fine della mascolinità tradizionale nel wrestling mentre fa il profilo di PARROW\u003cbr data-mce-fragment=\"1\"\u003e- Mostriamo il lavoro di uno dei giovani artisti più in voga di oggi: i dipinti di wrestling di MARK YANG-\u003cbr\u003e\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":43213479641347,"sku":"9999.975","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/Orange_Crush3_magazine_issue_3.png?v=1661507979"},{"product_id":"cineforum-n-7","title":"Cineforum n.7","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCineforum è la rivista di cinema della Federazione Italiana Cineforum. Un magazine che viene da molto lontano e che rappresenta la forma più pura e tradizionale di rivista di critica cinematografica. Contiene infatti presentazioni, recensioni, polemiche e discussioni su decine di film più o meno recenti, analisi dei trend cinematografici e delle tendenze autoriali in questo settore.\u003cbr data-mce-fragment=\"1\"\u003eE' una rivista per veri e propri cinefili, fondata nel 1961. Fino al 2020 esce mensilmente, fino al radicale numero 0 del 2021, anno dal quale diventa un trimestrale che cambia il suo aspetto grafico ed editoriale e decide di uscire da circuiti più mainstream per diventare un riferimento cartaceo di nicchia per veri appassionati. \u003cbr\u003eLa Federazione Italiana Cineforum rappresenta la maggior parte dei cineclub Italiani e in particolare collabora con realtà medio-piccole e locali nell'intento di far conoscere i capolavori dei grandi autori, ma anche di dare visibilità e fare uscire progetti cinematografici che altrimenti avrebbero poca visibilità. Dalla visione dei film organizza poi cineforum, convegni e dibattiti che creano e rendono viva la cultura del cinema in Italia. \u003cbr data-mce-fragment=\"1\"\u003eLa Direttrice della nuova serie della rivista Cineforum è Emanuela Martini, forlivese di nascita e critica cinematografica, fino al 2019 Direttrice del Torino Film Festival. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eISSUE 7\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRIMO PIANO\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eEsterno notte\u003c\/em\u003e di Marco Bellocchio\u003cbr\u003e8 Anton Giulio Mancino\/Le idi di Marco. La Moroteca di Babele\u003cbr\u003e15 Roberto Chiesi\/Le mani macchiate di Cossiga. Patologie del potere\u003cbr\u003e20 Luca Malavasi\/La storia gemella. Prospettive parallele\u003cbr\u003e26 Federico Pedroni\/Mio caro padrone domani ti sparo. Fotogrammi dagli anni di piombo\u003c\/p\u003e\n\u003cp\u003eGRANDE SCHERMO\u003cbr\u003e38 \u003cem\u003eIrma Vep\u003c\/em\u003e di Olivier Assayas. Roberto Manassero\/Il passato che ci abita. Dopo il film, la serie\u003cbr\u003e44 \u003cem\u003eCrimes of the Future\u003c\/em\u003e di David Cronenberg. \u003ca href=\"https:\/\/www.cineforum.it\/rivista\/7NS\/Cronache-mutanti\"\u003eMassimo Causo\/Cronache mutanti. La plastica e il corpo\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eFOCUS\u003cbr\u003e52 Intervista a Gianni Amelio a cura di Emanuela Martini\/Lo splendore nell’erba. Gianni Amelio ci parla di Il signore delle formiche, in concorso a Venezia 79\u003c\/p\u003e\n\u003cp\u003eCONTROCAMPO\u003cbr\u003e66 Pier Maria Bocchi\/Elevated horror? Giudizi e pregiudizi su un genere ancora perturbante\u003cbr\u003e74 Massimo Lastrucci\/Attenti ai padri. L’ultima casa a sinistra compie cinquant’anni\u003c\/p\u003e\n\u003cp\u003eSTARDUST MEMORIE\u003cbr\u003e80 Emanuela Martini\/Paradisi avari. I mélo di Douglas Sirk, cui Locarno 75 ha reso omaggio\u003cbr\u003e90 Tina Porcelli\/L’insostenibile leggerezza. Scontri, emozioni, assenze nelle famiglie dilaniate di Sirk\u003c\/p\u003e\n\u003cp\u003eLUNGO ADDIO\u003cbr\u003e96 Maurizio Porro\/Peter Brook. Il gigante gentile\u003c\/p\u003e\n\u003cp\u003eNOTEBOOK\u003cbr\u003e104 Belli e dannati. Gianni Amelio\/\u003cem\u003eIl processo\u003c\/em\u003e. Orson Welles alla sbarra\u003cbr\u003e108 Riveduto e politicamente corretto Gualtiero De Marinis\/Tradurre al piede della lettera. Mario Maldesi, unsung hero della traduzione al cinema\u003c\/p\u003e\n\u003cp\u003eFESTIVAL\u003cbr\u003e75° Festival di Cannes\u003cbr\u003e112 a cura di Pier Maria Bocchi (p.m.b.), Chiara Borroni (c.b.), Bruno Fornara (b.f.), Roberto Manassero (r.m.), Emanuela Martini (e.m.), Davide Oberto (d.o.), Federico Pedroni (f.p.), Lorenzo Rossi (l.r.), Alessandro Uccelli (a.u.)\u003cbr\u003e123 Pier Maria Bocchi, Chiara Borroni, Roberto Manassero, Emanuela Martini, Davide Oberto, Federico Pedroni, Lorenzo Rossi, Alessandro Uccelli. Percorsi soggettivi tra le immagini\u003c\/p\u003e","brand":"Frab's Magazines \u0026 More","offers":[{"title":"Default Title","offer_id":43252823458051,"sku":"900-7","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/cineforum_rivista_18fcf953-9970-49e3-9333-5af5bef6b6a8.jpg?v=1662138379"},{"product_id":"eki-n-2","title":"Eki n.2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEKI è una nuova rivista indipendente italiana dedicata a tutti coloro che amano e traggono ispirazione dalla luce.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLa luce è un elemento primordiale, appartiene alla nostra stessa esistenza e spesso ne sottovalutiamo la potenza. La luce è calore, è nascita e spirito. Le sue molteplici manifestazioni hanno sempre qualcosa di spettacolare, nella vita, nell’arte, nella letteratura, nella storia: la luce è rivoluzione.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLa rivista ospita artisti provenienti da tutto il mondo e il suo scopo è quello di creare uno spazio per condividere e confrontare più modi di avvicinarsi alla luce, attraverso diverse tecniche e idee creative.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIl nome della rivista si ispira a Eki o Eguzki, la divinità che rappresenta il Sole nell'antica mitologia basca.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOgni numero di Eki ospita interviste a professionisti dell'arte che ci raccontano il loro rapporto con la luce, riflessioni su questo elemento essenziali per la nostra vita, una geletina colorata scelta da uno degli artisti ospiti di Eki, che ci fa guardare il mondo con occhi nuovi.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDimensione: 20x27 cm\u003cbr data-mce-fragment=\"1\"\u003eNumero di pagine: 186\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLingua: italiano e inglese\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eISSUE 2\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSe decidessimo di organizzare tutte le fonti luminose in una lista redatta per ordine d’importanza, ve ne sarebbe una a comparire in cima, prima delle altre. Da essa dipende la nostra stessa esistenza, prima che come esseri umani, proprio come esseri viventi. Parliamo, ovviamente, del Sole, la stella a noi più vicina, e della sua luce: a questa fonte, di vera e propria vita, è dedicato il nuovo numero di Eki, Issue 02.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Frab's Magazines \u0026 More","offers":[{"title":"Default Title","offer_id":43321534939395,"sku":"999.18-2","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/Eki_magazine_numero_2.png?v=1663579763"},{"product_id":"magazine-b-penguin","title":"Magazine B n.10 - Penguin","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMagazine B è una rivista coreana unica nel suo genere che, in maniera equilibrata e obiettiva, esamina in ogni numero un marchio internazionale diverso, raccontandone la storie, visitando fabbriche, negozi e uffici e intervistando le persone chiave che ci sono dietro. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOltre a Magazine B dedicato ai brand e a magazine F dedicato agli alimenti, è nato anche lo speciale The Series, dedicato, finora, a casa, negozi e quartieri. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISSUE 10 - PENGUIN\u003c\/strong\u003e\u003cbr\u003eSin dalla sua nascita nel 1935, Penguin è stata all'avanguardia nel suggerire idee su ciò che un editore moderno dovrebbe perseguire offrendo libri tascabili convenienti, formulando idee per soddisfare le esigenze dei tempi e dando un'identità al marchio attraverso il design del libro. Anche se venduto a un prezzo accessibile, Penguin ha assicurato la qualità dei contenuti trovando gli autori più qualificati. Tutto ciò è stato reso possibile dalla semplice convinzione del suo fondatore, Allen Lane, che \"I libri sono da leggere\".\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDimensioni: 170x240 mm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNumero di pagine: 132\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLingua: inglese\u003c\/span\u003e\u003c\/p\u003e","brand":"Frab's Magazines \u0026 More","offers":[{"title":"Default Title","offer_id":43350475866371,"sku":"999.9980-10","price":29.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0120\/2539\/7312\/products\/magazine_B_Penguin.png?v=1664276742"}],"url":"https:\/\/frabsmagazines.com\/en-ie\/collections\/all\/society.oembed","provider":"Frab's Magazines \u0026 More","version":"1.0","type":"link"}